Rebecca belmore art and the object of performance pdf

Rebecca belmore art and the object of performance pdf
REBECCA BELMORE FOUNTAIN Belmore’s art, whether it is installation, video or photograph, has its basis in performance, which she in turn sees as a medium shared by old traditions and modern expression—a medium both indigenous
Rebecca Belmore is a Winnipeg-based multi-disciplinary artist from Upsala, Ontario. In 2013 she won the Governor Generals Award in Visual and Media Arts. She gained internationally acclaim at the
“Violence, Marginalization, and Commemoration: Public Awareness in the Performances of Rebecca Belmore,” presentation, Oklahoma Conference of Art Historians, Oklahoma State University, March 2014. Since 1987, the art of Anishinaabe-Canadian artist Rebecca Belmore has addressed “history, place, and identity through the media of sculpture, installation, video, and performance.”1 …
Art from Rebecca Belmore’s 2005 work Fountain is featured on the cover of Desire Change: Contemporary Feminist Art in Canada, published in 2017 by McGill-Queen’s University Press and Mentoring Artists for Women’s Art.
Rebecca Belmore at the Vancouver Art Gallery Canada in the summer of 2008, I came upon a video-recording of Belmore’s performance piece Vigil, which was performed on the street in the Downtown Eastside of Vancouver in the summer of 2002.
Artist Rebecca Belmore poses in front of her sign “I Am Worth More/Than One Million/Dollars/ To My People, ” in her studio in Vancouver. Laura Leyshon for The Globe and Mail/laura leyshon The
Rebecca Belmore has been making work as a performance artist for nearly fifteen years. But due to the nature of the medium—usually a singular event—only those who know the artist well can glean the depth and intensity of that work.
Drawing from and contributing to the International Relations (IR) aesthetics literature, I analyse how Anishinaabe artist Rebecca Belmore’s 2005 Venice Biennale performance-based video installation Fountain is an enactment of creative presence at an intersection of international and …

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Carleton University Art Gallery
Rebecca Belmore CENTRE FOR CONTEMPORARY CANADIAN ART
Violence Marginalization and Commemoration Public
Rebecca Belmore, Vigil, 2002, performance documentation. ‘Talking Stick Aboriginal Art Festival’, Firehall Theatre, Vancouver, 2002. Courtesy the artist . On 23 June 2002, Rebecca Belmore arrived at the corner of Gore Avenue and East Cordova Street in downtown Vancouver, to tend to something that wasn’t there. Concerned communities had raised alarm for many years over the fact that women
VANCOUVER, BC Rebecca Belmore VANCOUVER ART GALLERY The centerpiece of this midcareer survey of Rebecca Belmore`s work was Fountain, 2005, a video installation she created for the Canadian pavilion at the Fifty-first Venice Biennale.
8 Stop(the)Gap: International Indigenous art in motion Education Resource Rebecca Belmore of Anishinaabe-Canadian heritage, was born in Upsala, ontario, and lives and
Rebecca Belmore is a Winnipeg-based multi-disciplinary artist from Upsala, Ontario. In 2013 In 2013 she won the Governor General’s Award in Visual and Media Arts.
Art Canadien Art School Online Art Book Art Ontario Art Gallery Audio Art Museum Fine Art Gallery Forward This contemporary piece explores the fraught history of exchange between Native and European cultures through the incorporation of Native and non-Native regalia Rebecca Belmore, “Rising to the Occasion,” Art Gallery of Ontario.
Rebecca Belmore is regarded as one of Canada’s leading performance An art form in which the actions of a person or group in a particular place at a particular time constitute the artwork; all works of performance art therefore incorporate time, space, the performer’s body, and the relationship between performer and viewer.
ARTSask Rebecca Belmore - Blood on the Snow
Information about the open-access article ‘Beginning with the Body: Fleshy Politics in the Performance Art of Rebecca Belmore and Leah Lakshmi Piepzna-Samarasinha’ in DOAJ. DOAJ is an online directory that indexes and provides access to quality open access, peer-reviewed journals.
‘Rebecca Belmore: Art and the Object of Performance.’ In Caught in the Act: An Anthology of Performance An art form in which the actions of a person or group in a particular place at a particular time constitute the artwork; all works of performance art therefore incorporate time, space, the performer’s body, and the relationship between performer and viewer.
I suggest that Rebecca Belmore’s performance gestures to a move beyond the representational function of art by making the body and affect central to the experience. This is heightened by the situated nature of the performance, locating affect within the very space she seeks to activate with life. Relational aesthetics and transformational aesthetics provide two compatible ways of thinking
This paper considers a civil suit between an artist and her former gallery dealer. In the case of Nadimi v. Belmore, the plaintiff and the defendant exemplify two opposing ideologies, which in turn reflect two possibilities for understanding art.
Rebecca Belmore’s powerful installations confront the viewer with images of loss, struggle and silence. This exhibition features five new works, created during a …
About Rebecca Belmore Artist Canada UpClosed
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabe-Canadian artist who is particularly notable for politically conscious and socially aware performance and installation work. Belmore currently lives in Montreal, Quebec.
In this report, Canadian Art editorial resident Natasha Chaykowski visits “KWE: Photography, sculpture, video, and performance by Rebecca Belmore” at the Justina M. Barnicke Gallery in Toronto. As Chaykowski notes in the video, the term kwe is the Anishinaabe word for woman.
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabe-Canadian artist who is particularly notable for politically conscious and socially aware[1] performance and installation work.[2] Belmore currently lives in Montreal, Quebec.[1] Belmore has performed and exhibited nationally and
About the Artist Rebecca Belmore A member of Lac Seul First Nation (Anishinaabe), Rebecca Belmore is an internationally recognized multidisciplinary artist currently residing in Montréal.
Rebecca Belmore’s work in performance, installation, photography and video addresses the politics of representation. Her images of provocation, subtle intervention and resistance are rooted in the tragic history of native cultures in North America.
particularly in art world centers in Europe and the US, and more recently in Canada, Australia and New Zealand, have profoundly challenged Enlightenment to modern conceptions of art (in aesthetics, defined as object, more or less static in meaning and
Belmore uses a variety of art forms— including sculpture, installation, video, and performance— to address such issues as the stereotyping of Native people, the commoditization of …
Rebecca Belmore’s artistic practice engages the question of what it is to be an Anishinaabe-kwe artist working today through photography, sculptures, videos, and performances. Belmore works toward creating art that functions as a poetic political intervention for her people and all the anonymous dispossessed. In her fierce, beautiful objects and images, Belmore transforms victimization and
The first time I saw a performance by Rebecca Belmore was in my mind’s eye. I was a student in Vancouver and a friend was relating what it had felt like to witness Vigil, the artist’s exhausting 2002 performance about the 60 women (mostly Indigenous) who …
Recently, Belmore participated in Sakahàn: International Indigenous Art, a group exhibit of more than 150 works of recent Indigenous art, at the National Gallery of Canada. Osvaldo Yero was born in Cuba and immigrated to Canada in 1997.
Inside out an artist’s view of documenta 14 Art + Australia
Rebecca Belmore is a hands-on kind of artist, and when the public art commission she is working on, titled Trace, is installed at the Canadian Museum for Human Rights in Winnipeg in mid-June of this year, it will carry the imprint of her hands, as well as many others.
Belmore is an aboriginal (Anishinabe) artist from central Canada, now based in Vancouver. Her take on colonial politics here, and elsewhere in her work, is transmuted into the play of red and white. Her take on colonial politics here, and elsewhere in her work, is transmuted into the play of red and white.
Vancouver Art Gallery to present first major survey of work by Canadian artist Rebecca Belmore VANCOUVER, BC — Rebecca Belmore: Rising to the Occasion, on view at the Vancouver Art Gallery from June 7 to October 5, 2008, will be the first large-scale survey of artwork by the renowned Canadian artist. Comprising 20 works, the exhibition includes key examples of Belmore’s practice from the
A black-haired, denim-clad woman stands with her back to the viewer and arms out to her sides in Rebecca Belmore’s sister (2010), a single photograph split between three backlit transparencies that was included in this exhibition, titled “KWE,” at University of Toronto’s Barnicke Gallery.
baharmohazabnia Artifact #671B, a performance by Rebecca Belmore, 1988 This protest or sit-in was staged by Belmore as a counter-reaction to “The Spirit Sings” exhibition organized by the Glenbow Museum in Calgary.
Born in Upsala, Ontario, Rebecca Belmore is an artist currently living in Vancouver, British Columbia. She attended the Ontario College of Art and Design in Toronto and is internationally recognized for her performance and installation art. Since 1987, her multi-disciplinary work has addressed history, place and identity through the media of sculpture, installation, video and performance
Like Wolffer, artist Rebecca Belmore puts her body on the line in Vigil (2002), a street performance honoring the disappeared and murdered women of Vancouver’s Downtown Eastside. At least fifty women had disappeared from this poor, urban neighborhood in the years before the killer’s arrest in 2002, and many of the women who died had been working the street, or were addicted to drugs.
Chiasma, group online performances, grunt gallery, LIVE Biennial of Performance Art Festival – Art and the Academy, Vancouver, British Columbia 2002 Crimes of Passion in Paradise and Beyond
Belmore’s art, whether installation, video or photograph, has its basis in performance. As a vehicle for polemics, her performance art almost always features her body.
Rebecca Belmore often uses the body to address violence and injustice against First Nations people, especially women. A member of the Anishinaabe nation, she affirms, “My body is a place from which to address the whole notion of history and what has happened to us as Aboriginal people.” – art of book of life pdf download comixology The interior of the library hosts the project Learning from Timbuktu. Curator Igo Diarra, who is the founder and director of the art space La Medina in Bamako, has brought together several artists who have focused on raising awareness about the richness of Malian heritage.
REBECCA BELMORE: Yes, the table was white, all white on white. And over time, in the process of writing, my hand became covered with lead, because I was dragging it across the page. When I touched myself, my shirt would become covered with the graphite. In terms of drawing or marking as a process, over time I change. It’s very subtle, but I like that aspect of it.
In her work, which includes performance, photography, as well as film and video installations and more recently sculpture, Rebecca Belmore an Anishinaabe artist, makes visible both historical and ongoing injustices perpetrated against marginalised populations — in particular women, and Indigenous people.
To address the politics of representation, Belmore’s art strives to invert or subvert official narratives, while demonstrating a preference for the use of repetitive gesture and natural materials. Belmore’s art reveals a long-standing commitment to politics and how they relate to the construction of identity and ideas of representation.

She was the first aboriginal woman representing
Rebecca Belmore: Fountain illustrates the process of produang and distributing an exhibiion catalogue; it highlights the importance of gallery publishing for a highly regarded art- …
through the Cultural Capitals of Canada national program, the depart-ment of Canadian Heritage named Winnipeg the Cultural Capital of Canada for 2010. on behalf of the City of Winnipeg, the Winnipeg arts …
The Anishinaabe artist Rebecca Belmore is a storyteller, deploying performance, sculpture, photography, and video to create, as Jessica Bradley has written, a “language of images and actions that insist on the difference between what is said and what is done.”
Women, House, and Home in Contemporary Canadian Aboriginal Art: Hannah Claus, Rebecca Belmore, and Rosalie Favell Elizabeth Kalbfleisch Frontiers: A Journal of Women Studies, Volume 33, Number 3, 2012, pp. 1-30
Rebecca Belmore: Facing the Monumental, organized by the Art Gallery of Ontario, surveys Belmore’s more than 30-year career and includes sculptures, installations, photographs, and performance-based works, as well as new works.
On a similar theme, Indigenous Canadian artist Rebecca Belmore’s Biinjiya’iing Onji (From inside), is a site specific, beautifully carved marble tent placed near the Hill of the Muses, overlooking the Acropolis with obvious implications—stunningly intimate and corporeal, it isn’t …
Born into the Anishinabe First Nation in Upsala, Ontario, but currently based in Vancouver, Belmore is internationally recognized for her enviable 25-year legacy of multi-disciplinary art, which explores themes of history, place and identity through sculpture, installation, video and performance.
Born in Upsala, Ontario, Rebecca Belmore is an artist currently living in Montreal, Quebec. Belmore is a multi-disciplinary artist whose works are rooted in the political and social realities of Indigenous communities, making evocative connections between bodies, land, and language.
Rebecca Belmore: Facing the Monumental explores the artist’s lifelong commitment to the relation of politics and beauty in art, often expressed using natural materials, and the human form.
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabekwe artist who is particularly notable for politically conscious and socially aware performance and installation work.
For Barthes, “photography transformed subject into object, and even, one might say, into a museum object” (Barthes 1981, 13). Colonial photography and the scientific gaze left North America with a multitude of images and objects cased in museums and archives.
Vigil on Vimeo
Performance Art of Rebecca Belmore and Leah Lakshmi Piepzna-Samarasinha Samantha Balzer, University of Alberta Abstract: This article examines what I term the “fleshy” politics of Rebecca Belmore’s 2002 Vigil and Leah Lakshmi Piepzna-Samarasinha’s contributions to the 2009 version of the performance project Sins Invalid: An Unshamed Claim to Beauty in the Face of Invisibility. Focusing
Rebecca Belmore’s performance installation Wild (2001) consisted of 1 Luna first performed The Artifact Piece at the San Diego Museum of Man in 1987. 2 Gerald Vizenor describes the trickster as “androgynous, a comic healer and liberator…
Rebecca Belmore, Fringe, 2008. Billboard, and photograph edition. Image Courtesy of the Darling Foundry Visual Arts Centre. …
On 12 January 1988, three days before ‘The Spirit Sings’ opened to the public, Rebecca Belmore burst into the national arts consciousness with her performance piece Artifact #671B.
Watch video · At the 2002 Talking Stick Festival in Vancouver Paul Wong recorded Rebecca Belmore’s performance VIGIL. The unedited document and excerpts have been used by Belmore in various ways. 8 years later Wong edits his short version of this seminal performance and recording.
Rebecca Belmore’s work seeks to address the longstanding treatment of native as other within the philosophical stance of the western world.[Her] performance pieces address the untenable conditions of historical, scientific and political intervention. Television, archeology, religion, art, politics and stereotypes are all held up for scrutiny.
Rebecca Belmore, Morris and Helen Belkin Art Gallery, Vancouver, BC, installations 33 pieces Dunlop Gallery, Regina, Saskatchwan Crimes of Passion in Paradise and Beyond, Centre for Caribbean Contemporary Art
The Art Gallery of Ontario. Walker Court. Nuit Blanche sans Banque Scotia. We are situated in Walker Court, home to Anishinaabe artist Robert Houle’s installation Seven Grandfathers. It is a transitory yet social space. Viewers are directed, like a school of fish, down into the basement and back
Document généré le 26 nov. 2018 03:09 Espace Art actuel An Artist in the new wilderness : Interventions by Rebecca Belmore Debbie O’Rourke Cartographie de l’art contemporain
Rebecca Belmore MutualArt
KWE Photography Sculpture Video and Performance by
Rebecca Belmore Performances
Rebecca Belmore often considered what defines an artist’s work as Indigenous long before that topic was on most people’s minds. In her performances, she goes directly into trauma, pain, fear, and sadness, but always while gathering force and presenting a strong female Indigenous body.
Rebecca Belmore (born 1960) is an interdisciplinary Anishinaabekwe artist who is particularly notable for politically conscious and socially aware performance and installation work. She is Ojibwe and member of the Lac Seul First Nation. Belmore currently lives in Montreal, Quebec.
Rebecca Belmore’s exhibition KWE offers viewers a small survey of over two decades of work in photography, performance, video and sculpture. Titled after the Anishinaabe word for woman, the exhibition (part of the Scotiabank CONTACT Photography Festival) furthers an ongoing investigation into themes of identity, protest, loss and strength.
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabe-Canadian artist who is particularly notable for politically conscious and socially aware performance and installation work.
Exhibitions 2006 Rebecca Belmore, F R A N C O S O F F I A N T I N O A R T E C O N T E M P O R A N E A, Torino, Italy (solo) 2006 Freeze (sculpture), Nuit Blanche, in collaboration with Osvaldo Yero, Toronto, Canada (solo)
Rebecca Belmore on ArtStack art online
REBECCA BELMORE Morris and Helen Belkin Art Gallery
Honoring the Disappeared in the art of Lorena Wolffer

Rebecca Belmore Rising to the Occasion Canadian Art

Rebecca Belmore First Peoples

rebecca belmore Google Search 0-9 in 2018 Aboriginal

Rebecca Belmore fountain. (Book 2005) [WorldCat.org]

Re-presenting invisibility ghostly aesthetics in Rebecca
– OCAD University Open Research Repository Faculty of
Donal O’Donoghue University of British Columbia CA
Stop(the)Gap International Indigenous art in motion

Making a Case for 21st-Century Feminist Art

Rebecca Belmore Wikipedia

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Deep Surface – Border Crossings Magazine

OCAD University Open Research Repository Faculty of
ARTSask Rebecca Belmore – Blood on the Snow

Document généré le 26 nov. 2018 03:09 Espace Art actuel An Artist in the new wilderness : Interventions by Rebecca Belmore Debbie O’Rourke Cartographie de l’art contemporain
On a similar theme, Indigenous Canadian artist Rebecca Belmore’s Biinjiya’iing Onji (From inside), is a site specific, beautifully carved marble tent placed near the Hill of the Muses, overlooking the Acropolis with obvious implications—stunningly intimate and corporeal, it isn’t …
The Anishinaabe artist Rebecca Belmore is a storyteller, deploying performance, sculpture, photography, and video to create, as Jessica Bradley has written, a “language of images and actions that insist on the difference between what is said and what is done.”
Rebecca Belmore, Fringe, 2008. Billboard, and photograph edition. Image Courtesy of the Darling Foundry Visual Arts Centre. …
Rebecca Belmore: Fountain illustrates the process of produang and distributing an exhibiion catalogue; it highlights the importance of gallery publishing for a highly regarded art- …
Belmore’s art, whether installation, video or photograph, has its basis in performance. As a vehicle for polemics, her performance art almost always features her body.
Like Wolffer, artist Rebecca Belmore puts her body on the line in Vigil (2002), a street performance honoring the disappeared and murdered women of Vancouver’s Downtown Eastside. At least fifty women had disappeared from this poor, urban neighborhood in the years before the killer’s arrest in 2002, and many of the women who died had been working the street, or were addicted to drugs.
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabe-Canadian artist who is particularly notable for politically conscious and socially aware performance and installation work.

Rebecca Belmore Morris and Helen Belkin Art Gallery
CO-PUBLISHING IN THE VISUAL ARTS THE PRODUCTION OF

Rebecca Belmore has been making work as a performance artist for nearly fifteen years. But due to the nature of the medium—usually a singular event—only those who know the artist well can glean the depth and intensity of that work.
Chiasma, group online performances, grunt gallery, LIVE Biennial of Performance Art Festival – Art and the Academy, Vancouver, British Columbia 2002 Crimes of Passion in Paradise and Beyond
Art from Rebecca Belmore’s 2005 work Fountain is featured on the cover of Desire Change: Contemporary Feminist Art in Canada, published in 2017 by McGill-Queen’s University Press and Mentoring Artists for Women’s Art.
The Art Gallery of Ontario. Walker Court. Nuit Blanche sans Banque Scotia. We are situated in Walker Court, home to Anishinaabe artist Robert Houle’s installation Seven Grandfathers. It is a transitory yet social space. Viewers are directed, like a school of fish, down into the basement and back

Vigil on Vimeo
Stop(the)Gap International Indigenous art in motion

VANCOUVER, BC Rebecca Belmore VANCOUVER ART GALLERY The centerpiece of this midcareer survey of Rebecca Belmore`s work was Fountain, 2005, a video installation she created for the Canadian pavilion at the Fifty-first Venice Biennale.
Vancouver Art Gallery to present first major survey of work by Canadian artist Rebecca Belmore VANCOUVER, BC — Rebecca Belmore: Rising to the Occasion, on view at the Vancouver Art Gallery from June 7 to October 5, 2008, will be the first large-scale survey of artwork by the renowned Canadian artist. Comprising 20 works, the exhibition includes key examples of Belmore’s practice from the
Rebecca Belmore’s work in performance, installation, photography and video addresses the politics of representation. Her images of provocation, subtle intervention and resistance are rooted in the tragic history of native cultures in North America.
This paper considers a civil suit between an artist and her former gallery dealer. In the case of Nadimi v. Belmore, the plaintiff and the defendant exemplify two opposing ideologies, which in turn reflect two possibilities for understanding art.
Rebecca Belmore’s powerful installations confront the viewer with images of loss, struggle and silence. This exhibition features five new works, created during a …
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabe-Canadian artist who is particularly notable for politically conscious and socially aware performance and installation work.
Document généré le 26 nov. 2018 03:09 Espace Art actuel An Artist in the new wilderness : Interventions by Rebecca Belmore Debbie O’Rourke Cartographie de l’art contemporain

Deep Surface – Border Crossings Magazine
The successes and failures of Documenta in Athens Apollo

Watch video · At the 2002 Talking Stick Festival in Vancouver Paul Wong recorded Rebecca Belmore’s performance VIGIL. The unedited document and excerpts have been used by Belmore in various ways. 8 years later Wong edits his short version of this seminal performance and recording.
A black-haired, denim-clad woman stands with her back to the viewer and arms out to her sides in Rebecca Belmore’s sister (2010), a single photograph split between three backlit transparencies that was included in this exhibition, titled “KWE,” at University of Toronto’s Barnicke Gallery.
Rebecca Belmore often uses the body to address violence and injustice against First Nations people, especially women. A member of the Anishinaabe nation, she affirms, “My body is a place from which to address the whole notion of history and what has happened to us as Aboriginal people.”
Rebecca Belmore’s work seeks to address the longstanding treatment of native as other within the philosophical stance of the western world.[Her] performance pieces address the untenable conditions of historical, scientific and political intervention. Television, archeology, religion, art, politics and stereotypes are all held up for scrutiny.
Drawing from and contributing to the International Relations (IR) aesthetics literature, I analyse how Anishinaabe artist Rebecca Belmore’s 2005 Venice Biennale performance-based video installation Fountain is an enactment of creative presence at an intersection of international and …
I suggest that Rebecca Belmore’s performance gestures to a move beyond the representational function of art by making the body and affect central to the experience. This is heightened by the situated nature of the performance, locating affect within the very space she seeks to activate with life. Relational aesthetics and transformational aesthetics provide two compatible ways of thinking
The Art Gallery of Ontario. Walker Court. Nuit Blanche sans Banque Scotia. We are situated in Walker Court, home to Anishinaabe artist Robert Houle’s installation Seven Grandfathers. It is a transitory yet social space. Viewers are directed, like a school of fish, down into the basement and back
‘Rebecca Belmore: Art and the Object of Performance.’ In Caught in the Act: An Anthology of Performance An art form in which the actions of a person or group in a particular place at a particular time constitute the artwork; all works of performance art therefore incorporate time, space, the performer’s body, and the relationship between performer and viewer.
Art Canadien Art School Online Art Book Art Ontario Art Gallery Audio Art Museum Fine Art Gallery Forward This contemporary piece explores the fraught history of exchange between Native and European cultures through the incorporation of Native and non-Native regalia Rebecca Belmore, “Rising to the Occasion,” Art Gallery of Ontario.
Born in Upsala, Ontario, Rebecca Belmore is an artist currently living in Vancouver, British Columbia. She attended the Ontario College of Art and Design in Toronto and is internationally recognized for her performance and installation art. Since 1987, her multi-disciplinary work has addressed history, place and identity through the media of sculpture, installation, video and performance

Rebecca Belmore and Osvaldo Yero media release
(PDF) Culture v. Capital The Rebecca Belmore Case

Art from Rebecca Belmore’s 2005 work Fountain is featured on the cover of Desire Change: Contemporary Feminist Art in Canada, published in 2017 by McGill-Queen’s University Press and Mentoring Artists for Women’s Art.
‘Rebecca Belmore: Art and the Object of Performance.’ In Caught in the Act: An Anthology of Performance An art form in which the actions of a person or group in a particular place at a particular time constitute the artwork; all works of performance art therefore incorporate time, space, the performer’s body, and the relationship between performer and viewer.
Document généré le 26 nov. 2018 03:09 Espace Art actuel An Artist in the new wilderness : Interventions by Rebecca Belmore Debbie O’Rourke Cartographie de l’art contemporain
Born into the Anishinabe First Nation in Upsala, Ontario, but currently based in Vancouver, Belmore is internationally recognized for her enviable 25-year legacy of multi-disciplinary art, which explores themes of history, place and identity through sculpture, installation, video and performance.
Rebecca Belmore: Facing the Monumental, organized by the Art Gallery of Ontario, surveys Belmore’s more than 30-year career and includes sculptures, installations, photographs, and performance-based works, as well as new works.
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabekwe artist who is particularly notable for politically conscious and socially aware performance and installation work.
“Violence, Marginalization, and Commemoration: Public Awareness in the Performances of Rebecca Belmore,” presentation, Oklahoma Conference of Art Historians, Oklahoma State University, March 2014. Since 1987, the art of Anishinaabe-Canadian artist Rebecca Belmore has addressed “history, place, and identity through the media of sculpture, installation, video, and performance.”1 …
The Art Gallery of Ontario. Walker Court. Nuit Blanche sans Banque Scotia. We are situated in Walker Court, home to Anishinaabe artist Robert Houle’s installation Seven Grandfathers. It is a transitory yet social space. Viewers are directed, like a school of fish, down into the basement and back
Rebecca Belmore (born 1960) is an inter-disciplinary Anishinaabe-Canadian artist who is particularly notable for politically conscious and socially aware[1] performance and installation work.[2] Belmore currently lives in Montreal, Quebec.[1] Belmore has performed and exhibited nationally and
REBECCA BELMORE: Yes, the table was white, all white on white. And over time, in the process of writing, my hand became covered with lead, because I was dragging it across the page. When I touched myself, my shirt would become covered with the graphite. In terms of drawing or marking as a process, over time I change. It’s very subtle, but I like that aspect of it.